CHA Student Prize
JEAN-MARIE FECTEAU PRIZE
The prize is awarded for the best article published in a peer-reviewed journal (including peer-reviewed student journals) by a PhD of MA-level student, in French or in English.
The competition for the prize is now closed. The winners will be announced at the CHA Annual Prize Ceremonies that will take place at Ryerson University on Tuesday, May 30.
Daniel Ross, « "Vive la vélorution !" : Le Monde à bicyclette et les origines du mouvement cycliste à Montréal, 1975-1980 ». Bulletin d'histoire politique, vol. 23, n° 2, 2015.
In his article on citizen mobilisations in Montreal, Ross maintains that the bicycle is a tool of resistance and political mobilization. Attentive to the political context of the 1970s at the municipal level, the author discusses the various reactions of the actors (politicians, activists, journalists) towards this mode of transportation and towards public transit in general.
Sarah Shropshire, “What’s a guy to do?: Contraceptive responsibility, confronting masculinity and the history of vasectomy in Canada.” CMBH 31(2) 2014: 161-82.
Alexandre Turgeon, « “Toé, tais-toé!” et la Grande Noirceur duplessiste. Genèse d’un mythistoire ». Histoire Sociale / Social History Vol. XLVI, no 92 (Novembre / November 2013).
Alexandre Turgeon's “’Toé, tais-toé’ et la Grande noirceur duplessiste. Genèse d’un mythistoire,” is a fascinating exploration of the genesis and perpetuation of myths, exemplified by the equally fascinating story of a media outburst by Maurice Duplessis…which never actually happened. For Turgeon, the famed ‘Toé, tais-toé’ is a story about the interplay between reality and fiction. Through a close reading of the press, and in particular the work of caricaturist Robert La Palme, the author traces how the phrase took hold of the public imagination because it symbolized perfectly the perceived crude and authoritarian character of Duplessis and his regime. Turgeon’s well-crafted analysis of myth making advances our knowledge of the role played by the media in shaping public understandings of power during the Duplessis era. His micro historical approach successfully illustrates the “va-et-vient” between history and fiction and the process of elaboration of what he refers to as a mythistoire.